Boss FZ-2 Hyper Fuzz

The Boss FZ-2 Hyper Fuzz, released in 1993, is a cult-classic fuzz pedal inspired by the Univox Super-Fuzz from the late 1960s. It features three modes: Fuzz I, Fuzz II, and Gain Boost, offering a wide range of tones from vintage fuzz to extreme bass-heavy distortion. The pedal includes Level, Gain, and a two-band EQ (Treble and Bass), making it highly versatile for tone shaping. Despite its innovative design, the FZ-2 was discontinued in 1997 due to low sales but has since gained a devoted following, particularly in stoner rock and doom metal genres.

Historical Development

• Design: The FZ-2 was Boss's first compact fuzz pedal and incorporated a circuit heavily influenced by the Univox Super-Fuzz. It added modern features like active EQ controls and a Gain Boost mode for versatility.
• Discontinuation and Revival: After its initial run ended in 1997, the FZ-2 became a sought-after pedal on the used market, with prices often exceeding $600. Its unique sound has inspired clones like the Aion FX Hypercube.

Notable Players

• Electric Wizard: The FZ-2 is central to the heavy, sludgy guitar tones on albums like Dopethrone. Guitarist Jus Oborn is one of its most famous users.
• Bush: Nigel Pulsford used the pedal for its aggressive fuzz tones during the band's rise in the 1990s.
• Modern Enthusiasts: The FZ-2 is frequently used by stoner rock and doom metal players seeking massive, bass-heavy fuzz.

Popular Settings

The FZ-2's modes and EQ controls allow for diverse tonal options:

• "Witchcult Today" Tone (Electric Wizard): Gain at max, Level at max, Bass at max, Treble at 6/10 in Gain Boost mode.
• Scooped Fuzz (Fuzz II Mode): Bass at noon, Treble slightly boosted, Gain at 2:00 for heavy rhythm tones with deep mid scoops.
• Boost Mode: Used as a clean boost or to push an amp into overdrive by setting Gain low and Level high.

Legacy

The Boss FZ-2 Hyper Fuzz remains one of Boss's most revered pedals due to its massive sound and versatility. Though discontinued, its resurgence in popularity among heavy music genres has solidified its status as a cornerstone of modern fuzz tones. Its influence continues through both second-hand demand and numerous clones replicating its unique character.