3 · The Interface

This chapter is a tour of the controls that are always on screen: the transport bar, the navigator, and the two main views.


The transport bar

The transport bar runs across the top of the window in both Edit and Mix views. From left to right (on a Mac or iPad) it contains:

View toggle — EDIT / MIX

Switches between the timeline and the mixing console.

Transport buttons

  • Return to start () — jump the playhead to the beginning.
  • Play / Stop (Space) — start or stop playback. The button shows a stop icon while playing.
  • Record (R) — start recording on all armed tracks. Turns red while recording, orange while counting in. It's disabled until at least one track is armed.

Position display

Shows the playhead's current location. Tap it to switch between:

  • MM:SS — minutes, seconds, hundredths (clock time).
  • BAR:BEAT — musical position (bar.beat.subdivision), based on your tempo and meter.

Tempo & meter

  • BPM — the session tempo. Click/tap it to open a dialog and type a new value (20–999 BPM).
  • METER — the time signature (e.g. 4/4, 3/4, 6/8, 7/8…). Pick from the menu.

Changing tempo or meter while the metronome is running re-locks the click to the new grid instantly.

Toggle buttons

  • Loop (L) — turn loop playback on/off (see Loop below).
  • Count-In — play a count of empty bars before recording starts. Right-click / long-press to choose 1, 2, or 4 bars.
  • Metronome — the click track. Right-click / long-press for Record Only, which makes the click play only while recording, not during normal playback.

Tracking safety indicator

A small status pill showing IDLE / MON / REC plus an estimate of your monitoring latency in milliseconds. The dot is green for low latency, orange for moderate, red for high — a quick glance tells you whether your buffer settings are tight enough for comfortable recording. On a Mac, hovering it shows how many tracks are armed and monitored. (Latency is configured in Audio Settings.)

The home for session commands: Undo/Redo, New/Open, the full Save group, Add Track / Add Bus / Add Marker, Import Audio, Export, Snapshots, Templates, Session Settings, Audio Settings, and exporting a diagnostic bundle. On iPhone, some transport extras (loop, count-in, metronome, meter, return-to-start) live in an overflow (•••) menu next to the tempo.


The navigator (minimap)

Just below the transport bar is the navigator — a zoomed-out map of the entire session. It shows a miniature of every track's clips, color-coded to match the tracks.

  • Tap or drag anywhere on it to move the playhead (scrub) there.
  • The loop region appears as a highlighted band with draggable handles when loop is enabled.
  • Markers appear as colored flags.
  • Right-click / long-press for: Enable/Disable Loop, Create Marker at Playhead, and Set Timeline Length….

Setting the timeline length

By default the timeline extends comfortably to fit your content. Use Set Timeline Length… to fix an explicit length in bars — useful for arranging to a known song length. The timeline never shrinks below what's needed to hold all your clips, markers, and the loop.


Markers

Markers are named, colored flags at points in time — use them for song sections (Verse, Chorus, Drop) or edit points.

  • Add a marker at the playhead: press M, or ☰ ▸ Add Marker, or right-click the navigator.
  • Rename, delete, or Set Loop Start / Set Loop End to a marker: right-click / long-press the marker flag.
  • Markers can also define an export range — see Exporting.

The loop

The loop plays a region over and over. Turn it on with the Loop button or L.

  • Set the region by dragging the loop handles in the navigator (or on the timeline ruler), or by snapping the start/end to a marker.
  • Loop is also used for loop recording to stack takes (see Takes & Comping) and for exporting just the loop region (see Exporting).

The timeline (Edit view)

The Edit view is where you arrange and edit. It has:

  • A time ruler at the top showing bars/beats (and a context menu for edits at a clicked time).
  • A track header column on the left — each track's name, color, controls, arm/mute/solo, and a mini fader/pan.
  • The track lanes with your clips (waveforms).
  • An optional channel strip inspector on the left edge: select a track and its full channel strip appears, alongside the strip of the bus or master it feeds — just like sitting in front of the console for that channel.

The timeline toolbar (top-right of the ruler) holds the edit tools, ripple edit, snap, follow playhead, and zoom — all covered in Editing Clips.


The mixer (Mix view)

The Mix view shows your whole session as a mixing console: a row of vertical channel strips. Track strips, then mix buses, aux returns, cue buses, VCA groups, and the master on the right. Each strip can show its Dynamics, EQ, Inserts, or Sends section. See Mixing and The Audio Processors.


Next: Tracks & the Channel Strip →

Jason Shimmy is not associated with any person, company, or products that may be mentioned on this site. All products and technologies are the property of their respective owners. All support-related issues should be directed to their proper source.

This site is strictly for educational purposes only. All opinions are my own and do not represent any outside entity. The information found here has been modified to fit the needs of this website.

This site may contain affiliate links, meaning I may receive a small commission at no additional cost to you if you purchase through my links.

Privacy Policy

Analog DAW Privacy Policy

Multitrack Audio Player Privacy Policy

Solo Poko Privacy Policy


Copyright © 2016-present, Jason Shimkoski